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	<title>Cassette Culture Blog</title>
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	<description>Your backstage pass</description>
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		<title>All You Need Is A Good Idea: Part 2</title>
		<link>http://www.cassetteculture.com/blog/?p=1008</link>
		<comments>http://www.cassetteculture.com/blog/?p=1008#comments</comments>
		<pubDate>Wed, 16 May 2012 14:30:44 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[EP]]></category>
		<category><![CDATA[promo]]></category>
		<category><![CDATA[staurt mavis]]></category>
		<category><![CDATA[tim zweistra]]></category>
		<category><![CDATA[videography]]></category>
		<category><![CDATA[when walls collapse]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=1008</guid>
		<description><![CDATA[One of the first entries I wrote for this website was about how I really just wanted to go out there and shoot some live-videos and maybe make a music documentary, all after just seeing some videos by Paramore, Parkway Drive and Deftones thinking; &#8220;hey, I can do that too.&#8221; Well, it is almost five months later (if not more) and I&#8217;ve finally gotten around to it.  After meeting with singer-songwriter Stuart Mavis and fellow cinematographer/animator Tim Zweistra last week, I can officially announce that Tim and I will be shooting a music video for Stuart Mavis somewhere in the upcoming weeks/months. Tim has already done some music videos and animations professionally (check out this video Tim did for Dutch grunge-rock duo BlackBoxRed), whereas I have pretty much all done video-production in my free time or for my coursework. We&#8217;ve come up with a pretty next-level concept, at least we think so. Loneliness, emotions, parties, good fortune and bad luck, it&#8217;s all going to be in there. So how did this whole plan exactly come to fruition? I know Stuart from the Academie voor Popcultuur in Leeuwarden, a school that I attended for a year where I unleashed my creative side by [...]]]></description>
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		<item>
		<title>You Can&#8217;t Burn Out If You&#8217;re Not On Fire &#8211; Summerlin</title>
		<link>http://www.cassetteculture.com/blog/?p=1119</link>
		<comments>http://www.cassetteculture.com/blog/?p=1119#comments</comments>
		<pubDate>Fri, 11 May 2012 18:30:33 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[leeds]]></category>
		<category><![CDATA[pop-punk]]></category>
		<category><![CDATA[summerlin]]></category>
		<category><![CDATA[uk]]></category>
		<category><![CDATA[you can't burn out if you're not on fire]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=1119</guid>
		<description><![CDATA[The UK is throwing band after band at us, or so it seems at least. Summerlin, a Leeds pop-punk quartet, has released it&#8217;s full length debut, You Can&#8217;t Burn Out If You&#8217;re Not On Fire. The band explains the album as a rallying cry for everyone who wants to escape the grind of daily life, something that the band knows everything about. All the band members have day jobs and drummer Liam Broad even was shot recently when he tried to stop a petrol theft.  Back to the good news. The album was produced at Tonteknik Studios by Pelle Henriksson, who previously produced albums for some of Sweden&#8217;s greatest, In Flames and Refused. The heavier sound that we are used to from these bands also shines through in some Summerlin songs, but more on that later. Forming in 2008, Summerlin hit the big time when they played the infamous Slam Dunk Festival in 2011, sharing the stage with Goldfinger, Less Than Jake and many others big names in the punk, hardcore and pop-punk world. Let It Go opens the album in the best of ways. For those of us that are not familiar with Summerlin, this is a good introduction. [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=1119</wfw:commentRss>
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		<item>
		<title>Adam Yauch: 1964-2012</title>
		<link>http://www.cassetteculture.com/blog/?p=1143</link>
		<comments>http://www.cassetteculture.com/blog/?p=1143#comments</comments>
		<pubDate>Sun, 06 May 2012 10:00:41 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[1986]]></category>
		<category><![CDATA[Adam Yauch]]></category>
		<category><![CDATA[Beastie Boys]]></category>
		<category><![CDATA[buddhist]]></category>
		<category><![CDATA[Cancer]]></category>
		<category><![CDATA[fight for your right]]></category>
		<category><![CDATA[Intergalactic]]></category>
		<category><![CDATA[Licensed To Ill]]></category>
		<category><![CDATA[Nathanial Hörnblowér]]></category>
		<category><![CDATA[Run DMC]]></category>
		<category><![CDATA[Sabotage]]></category>
		<category><![CDATA[Yauch]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=1143</guid>
		<description><![CDATA[I can honestly say that I was shocked when I first heard  that Adam Yauch had died at age 47.   In 2009, Adam was diagnosed and treated for a cancerous parotid gland  and a lymph node and underwent surgery and radiation therapy.  He is surived by his wife and daughter.  Adam was not only a rapper, he was also a film director and songwriter. He was best known as founding member of the Beastie Boys. Together with Mike Diamond (Mike D) and Adam Horowitz (Ad-Rock) he started the Beastie Boys in 1979.  Adam tought himself to play bass in high school. He played his first show at his 17th birthday.  The  Beastie Boys started out as a hardcore punk band, but  they started experimenting with hip-hop not much later. Now being a hip-hop trio, their first release was in 1986, with the album Licensed To Ill. This album is best known for their first hit You Gotta Fight For Your Right.  The combination of rap and hip-hop time, is best to be compared with Run DMC, who was also very popular at that time. Althoughthe Beastie Boys were known as party-animals, they were also very involved with politics.  After the September [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=1143</wfw:commentRss>
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		<item>
		<title>The Missing Link</title>
		<link>http://www.cassetteculture.com/blog/?p=973</link>
		<comments>http://www.cassetteculture.com/blog/?p=973#comments</comments>
		<pubDate>Thu, 03 May 2012 16:00:23 +0000</pubDate>
		<dc:creator>CCstudio</dc:creator>
				<category><![CDATA[Amplifiers]]></category>
		<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[Instruments]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Speakers]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[amplifiers]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[instruments]]></category>
		<category><![CDATA[live]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sound engineer]]></category>
		<category><![CDATA[speakers]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=973</guid>
		<description><![CDATA[It&#8217;s not uncommon for us axe wielders to spend a small fortune on gear. You&#8217;ve carefully chosen your axe, effects, amplifier and speaker cabinet to fit your bands&#8217; sound and your personal playing style. You might hear &#8220;your sound&#8221; while you&#8217;re playing on stage, but as you probably know, this doesn&#8217;t guarantee that the audience will hear the same. Besides the art of live mixing, the micing of amplifiers is a tedious job. Bassists often only get a DI-box (Direct Input) to plug into. Their amps and effects are completely taken out of the equation. It&#8217;s easy to blame the venue and/or the sound guy* afterwards, but it&#8217;s more useful to prepare the sound you’re sending to the FOH. Even better: take your own FOH mixer with you (no, the driver of the van does not make a good mixer, even though he works for free). Besides this, I highly recommend every guitar and bass player to spend some time in the bands&#8217; rehearsal room with an audio interface and a few mics to learn how to get the most out of your gear, individually, and as a band! Then, if you know what you want, write a technical rider [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=973</wfw:commentRss>
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		<item>
		<title>Kelly Shaefers&#8217; creativity runneth over</title>
		<link>http://www.cassetteculture.com/blog/?p=1103</link>
		<comments>http://www.cassetteculture.com/blog/?p=1103#comments</comments>
		<pubDate>Thu, 26 Apr 2012 15:30:16 +0000</pubDate>
		<dc:creator>Ruth</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Atheist]]></category>
		<category><![CDATA[death-metal]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Jupiter]]></category>
		<category><![CDATA[Kelly]]></category>
		<category><![CDATA[Kelly Shaefer]]></category>
		<category><![CDATA[Metal]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Shaefer]]></category>
		<category><![CDATA[Stones of Madness]]></category>
		<category><![CDATA[Technical death metal]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=1103</guid>
		<description><![CDATA[Now and then those who have been around since the beginning of an era, search new challenges, new horizons to conquer, new ways to express themselves. Kelly Shaefer is one of those people. He has witnessed the birth of technical death metal. He has been a part of the birth of death metal. His creative mind has set foot on a new territory. Stones of Madness is the latest project of Kelly. The band has already given a teaser on what they are working on at reverbnation. Time to get some insights. You already toured the world with Atheist and recorded quite some albums, now you joined a new project, what was the main reason for starting another band? I didn’t really plan on it. It just kind of materialized as a result of a producer friend, Scott Bush, who was working with Scott Thompson from DryKill Logic. They were looking for a singer and working on tracks in Ft Myers, so I wrote some stuff for the first 2 tracks and it came out really cool, and effortless. We had literally not even met one another and we had songs, since then we have been working towards the full [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=1103</wfw:commentRss>
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		<item>
		<title>Busy Times</title>
		<link>http://www.cassetteculture.com/blog/?p=929</link>
		<comments>http://www.cassetteculture.com/blog/?p=929#comments</comments>
		<pubDate>Tue, 24 Apr 2012 15:00:15 +0000</pubDate>
		<dc:creator>Paintman</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Body art]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=929</guid>
		<description><![CDATA[Just like the title says, there are busy times ahead, so sometimes it is hard to find the time to write a blog. But then again, just sitting down and spending time is also good to get things organised in my head, so here we are again. To start you off with some updates on the World Bodypaint Festival. The good news is that my British assistant has confirmed to come to Austria, something that we are both very happy about. The other good news is that  we planned to go to Austria in a camper and take along the whole family. Although the camping place was already confirmed , the camper itself was not. It turned out I had to spend a lot of time finding a camper for six which was available. For whatever reason, a lot of people had the idea to rent a camper around the same time. Luckily I managed to find one after looking for rental companies and private rental throughout the south of the Netherlands and even Belgium. To my suprise, the rental company which I found has a pick up location only fifteen minutes from my house, so I guess I am quite lucky in the [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=929</wfw:commentRss>
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		<title>Equilibrium &#8211; God Forbid</title>
		<link>http://www.cassetteculture.com/blog/?p=950</link>
		<comments>http://www.cassetteculture.com/blog/?p=950#comments</comments>
		<pubDate>Tue, 17 Apr 2012 18:00:59 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Doc Coyle]]></category>
		<category><![CDATA[Equilibrium]]></category>
		<category><![CDATA[God Forbid]]></category>
		<category><![CDATA[metalcore]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=950</guid>
		<description><![CDATA[Having just released their sixth album since the formation of the band back in  1996, God Forbid is back to deliver an album that is filled to the brim with non-stop drums, shredding guitars and in-your-face bass lines. Equilibrium is the follow up to 2009 Earthsblood. Each band has something that makes them stick out from the rest and for God Forbid that talent is making catchy, yet crunchy and heavy, metalcore, at least on this album.  Equilibrium starts off with Don&#8217;t Tell Me What to Dream. It&#8217;s a solid track, but nothing about it really stands out. You can definitely hear the change that Matt Wicklund brought to the table, replacing Dallas Coyle. Lead singer Byron Davis still delivers in-your-face vocals, but musically the band has become less thrash, although that can still be heard in the drum arrangements. My Rebirth is a lighter track and stands out from the grittiness that was felt on the first track. Even though adding some clean vocals to the song gives it a more dynamic feel, you can definitely hear that it is something that God Forbid is not really used to do. Some will hate it, others will praise it. Fast paced and heavy, [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=950</wfw:commentRss>
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		<item>
		<title>Backstage with So Called Celeste</title>
		<link>http://www.cassetteculture.com/blog/?p=1038</link>
		<comments>http://www.cassetteculture.com/blog/?p=1038#comments</comments>
		<pubDate>Tue, 17 Apr 2012 16:30:59 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[backstage]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[report]]></category>
		<category><![CDATA[so called celeste]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=1038</guid>
		<description><![CDATA[So Called Celeste.  Formed in 2007 and making a name for themselves since the very first day! Their success began with the first EP which gave them a reason to play over 200 shows over the course of 2008-2010. With the release of their EP ‘Vultures’ in December 2010 they have really proven themselves to be an unstoppable force. They’re renowned for a live show filled with energy from start to finish and they only have one gear: Full throttle! Backstage at one of their gigs Joel (vocals), Erik (guitar), Jeroen (drums) and Stefan (roadie and sound engineer) share some of their stories. Joel &#8211; from the start in October 2007 until now has only been four and a half years!  Did it ever cross your mind you were able to push it this far in that relative short amount of time? Joel: Well, I joined the band in 2009 and SCC had already got its name on quite a bit and had accomplished quite a lot. We’ve always had potential to do more than a garage band would do. So, yeah, I guess we can say it crossed my mind. It all started with a project named ‘Chuckies Roundhouse [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=1038</wfw:commentRss>
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		<title>Sudden Annihilation</title>
		<link>http://www.cassetteculture.com/blog/?p=989</link>
		<comments>http://www.cassetteculture.com/blog/?p=989#comments</comments>
		<pubDate>Fri, 13 Apr 2012 18:00:29 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[death-metal]]></category>
		<category><![CDATA[Netherlands]]></category>
		<category><![CDATA[Sudden Annihilation]]></category>
		<category><![CDATA[thrash]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=989</guid>
		<description><![CDATA[Dutch death/thrash-metal band Sudden Annihilation was born out of NonActive, as the latter band name was already taken. Drawing inspiration from bands such as Children of Bodom and Slayer, the death/thrash-metal is undeniable. But that is not their only inspiration, as they are also heavily influenced by Steve Vai, one of the biggest guitar virtuosos to walk the earth. The band has a full-length release upcoming and Cassette Culture got a little sneak-peek of the album. It is as of yet still nameless, so stay tuned.  Album-opener Departure presents the listener with a fairly standard intro for bands that play death and thrash-metal, with some drums and overlaid synths playing first. A shredding guitar is added to complete the picture. The sound is supposed to pave the way for what is to come, an epic of unimaginable size. This track leads in to Before I Die, which sadly sounds like it was recorded in an empty tin can. There is too much &#8216;empty&#8217; space, which was probably something added in post-production. What saves this track is the technical guitar work that is heard in the solo, which seems to borrow sounds from multiple genres, and the well-produced breakdowns. Slave of the Enemy starts [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=989</wfw:commentRss>
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		<title>Bands vs. Sound Guys (&#8230;and “the organization”)</title>
		<link>http://www.cassetteculture.com/blog/?p=970</link>
		<comments>http://www.cassetteculture.com/blog/?p=970#comments</comments>
		<pubDate>Fri, 06 Apr 2012 20:00:15 +0000</pubDate>
		<dc:creator>CCstudio</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=970</guid>
		<description><![CDATA[A regular sound guy is a great asset of a gigging band. It will do much more for the bands its sound than  that expensive boutique guitar amp. This post is especially for the bands/musicians out there who don&#8217;t have the luxury of having their own FOH (Front Of House) mixer/technicians just yet. The driver of the van, who loves your band and has an opinion on sound, doesn&#8217;t make a good FOH mixer per se. Even though he&#8217;s willing to twiddle the knobs for free. Most smaller bands rely on the grumpy, underpaid/volunteering sound techs at local venues. Don&#8217;t underestimate these guys. They have home field advantage: they know the gear and the acoustic deficits of the venue. Unfortunately, there is a traditional rivalry between sound engineers and musicians that undermine a fruitful cooperation. What exactly distorted the relationship between musician and sound techs? A lot of musicians don’t really know what sound engineers do besides rolling cables and annoying the sh*t out of them. On the other hand, sound engineers think that all musician are stubborn, overpaid, arrogant divas who don’t realize their sound is far from production quality without them. There’s only a very small grey area [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=970</wfw:commentRss>
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		<title>Band shirts and merchandise &#8211; Richard Theuws</title>
		<link>http://www.cassetteculture.com/blog/?p=937</link>
		<comments>http://www.cassetteculture.com/blog/?p=937#comments</comments>
		<pubDate>Tue, 03 Apr 2012 14:00:33 +0000</pubDate>
		<dc:creator>Ruth</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Lifestyle]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Shops]]></category>
		<category><![CDATA[band shirts]]></category>
		<category><![CDATA[merchandise]]></category>
		<category><![CDATA[musicmerch.com]]></category>
		<category><![CDATA[richard theuws]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=937</guid>
		<description><![CDATA[In 1989 Richard Theuws was a punk rocker. He organized shows, worked at festivals and visited concerts. Music was his true love. Nowadays, Richard runs a successful company, Merchsupply.com. Together with his wife Sharon he supplies merchandise to bands like Life of Agony, Reverend Horton Heat, Epitaph Records, Sick of it All, Danko Jones and many others. The idea for the company was born after he was asked to develop a clothing line. Richard managed to start his own line within six months and started to produce merchandise for friends who played in bands. Photo by Heidi Wils &#8211; www.heidiwilsfotografie.nl Going back in time, which bands were you listening to back in 1989? If I were to place a full list, it would be too long to publish I guess, but I’ve always been a sucker for in-your-face punk such as GBH and The Exploited, but I was also into Maiden, Judas Priest, YOT, Gorilla Biscuits, Fugazi, Dinosaur Jr. Buffalo Tom and so on. In ’89, my passion for grunge really took off with bands like Mudhoney and Nirvana, that I got to know because we just bought absolutely everything SubPop released. Oh, and The Butthole Surfers of course, who are still amongst my [...]]]></description>
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		<title>Illuminate &#8211; Destine</title>
		<link>http://www.cassetteculture.com/blog/?p=918</link>
		<comments>http://www.cassetteculture.com/blog/?p=918#comments</comments>
		<pubDate>Fri, 30 Mar 2012 10:00:24 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[destine]]></category>
		<category><![CDATA[footprints]]></category>
		<category><![CDATA[illuminate]]></category>
		<category><![CDATA[lightspeed]]></category>
		<category><![CDATA[night skies]]></category>
		<category><![CDATA[stay]]></category>
		<category><![CDATA[thousand miles]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=918</guid>
		<description><![CDATA[Dutch pop-rockers Destine are on the brink of releasing Illuminate, their second full-length. This time around, they joined forces with some big names in the music industry, such as James Paul Wisner, who produced the band&#8217;s debut Lightspeed and David Bendeth, who has been involved with bands such as Paramore and All Time Low. The band have had a busy year, filled with touring, recording and the filming of their documentary Footprints: A Year in the Life. Destine has pretty much had success after success, both nationally and abroad, with singles In Your Arms and Stars and album Lightspeed. The task ahead was a difficult one, to make sure that their next album would be even better. Thousand Miles and Stay, two singles that came out last year, gave the listener an early glimpse of what was ahead, and the fans were pleased. With Illuminate, the band is trying to start a next phase in their musical careers. Lightspeed was incredibly catchy and melodious and these two things have pretty much become Destine&#8217;s trademarks. This time around, Destine has chosen to go for a multi-layered approach and have deliverd a very dynamic array of songs. Illuminate kicks off with Four Leaf Clover, a song that is very reminiscent [...]]]></description>
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		<item>
		<title>Nou En &#8211; Ninomaal</title>
		<link>http://www.cassetteculture.com/blog/?p=562</link>
		<comments>http://www.cassetteculture.com/blog/?p=562#comments</comments>
		<pubDate>Fri, 23 Mar 2012 17:00:24 +0000</pubDate>
		<dc:creator>Fristi</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[ninomaal]]></category>
		<category><![CDATA[nou en]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=562</guid>
		<description><![CDATA[The boys of Nou En (So What) are back, seven years after their minor one hit wonder in The Netherlands, Gothic Meisje (Gothic Girl), a single that turned the Gothic world upside down thanks to its stereotypical lyrics about a little Gothic girl. Suddenly they got threatened by multiple people and in a split second they showed up on Dutch national TV shows as Shownieuws, TMF and RTL Boulevard. After a lot of touring and recording, the boys of Nou En released their follow-up album Ninomaal. The album contains 13 tracks and has a playtime of approximate 40 minutes. Nou En combines influences from bands like  Blink182, Weezer, as well as a bit of the Dutch Heideroosjes on their new album. Ninomaal is a strong album with catchy, funny and even some serious tunes. The album kicks off with a song about dancing: Niet Dansen (Don&#8217;t Dance).  Simple guitar riffs and somehow the song makes you wants to dance. Then there is the song Beste Liefdes Liedje Ooit (Best love songs ever). A song that refers to multiple love songs from other Dutch bands as they sing “Ik verscheurde niet je foto, heb je brieven niet verbrand, ik krijg jeuk van “je bent [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=562</wfw:commentRss>
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		<item>
		<title>Dead Set On Living &#8211; Cancer Bats</title>
		<link>http://www.cassetteculture.com/blog/?p=905</link>
		<comments>http://www.cassetteculture.com/blog/?p=905#comments</comments>
		<pubDate>Mon, 19 Mar 2012 15:00:55 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[cancer bats]]></category>
		<category><![CDATA[dead set on living]]></category>
		<category><![CDATA[dsol]]></category>
		<category><![CDATA[hardcore punk]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=905</guid>
		<description><![CDATA[Cancer Bats are one of those bands that always manages to surpass themselves with everything they make. Hail Destroyer was a killer of an album, but was beaten by Bears, Mayors, Scraps &#38; Bones. Their rendition of Beastie Boys Sabotage was a huge hit for Cancer Bats. Now Dead Set on Living, or DxSxOxL, is right around the corner. If the said is still true nowadays, this album should be the best one yet.  Cancer Bats are a hardcore punk band from the city of Toronto,  Canada. They are hugely popular in North America, but in the past couple of years, this popularity has also flowed over to mainland Europe. With their incessant touring schedule, they have created one of the most loyal fanbases around the world. Once a Bat, always a Bat, so to say. With their new album hitting shelves on April 17th, the band is looking to strengthen that fanbase. Right from the start Cancer Bats show that they are on the warpath. Menacing guitars, lots of distortion and an unhealthy amount of feedback open the album. The bar is set the moment Liam Cormier screams &#8220;RATS!&#8221; That also happens to be the title of the album opener. &#8220;There&#8217;s a [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=905</wfw:commentRss>
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		<title>Lamb of God &#8211; Resolution</title>
		<link>http://www.cassetteculture.com/blog/?p=782</link>
		<comments>http://www.cassetteculture.com/blog/?p=782#comments</comments>
		<pubDate>Fri, 16 Mar 2012 15:00:44 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[lamb of god]]></category>
		<category><![CDATA[resolution]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=782</guid>
		<description><![CDATA[Lamb of God is an American heavy metal band from Richmond, Virginia. Since its formation in 1994, they have released seven full length studio albums, one live album, one compilation album and three dvd’s.  Nominated for a Grammy Award in 2010, we can safely say that Lamb of God have really established themselves as one of the greater metalbands with an even greater live reputation. Just recently, Lamb of God released their seventh studio album Resolution. The album opens with Straight For The Sun, a slow and heavy song that starts with a thirteen-second growl followed by a dark and heavy guitar rhythm that instantly reminds you of Pantera. With a length of just over two minutes, it is also one of the shorter tracks on the album. The second track, Desolation, emphasizes the sound which makes people listen to Lamb of God; Groovy, yet aggressive with hammering bass pedals, interesting solo’s, heavy riffs and Randy Blythe’s ever impressive vocals. The whole mindset of this song is reminiscent of Set To Fail from their previous album ‘Wrath’. After a slow two minute warm-up and the four minute pounding of Desolation, the Lamb of God train now is up to cruising speed as [...]]]></description>
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		<title>A Battle of Epic Proportions&#8230;But Should It Be?</title>
		<link>http://www.cassetteculture.com/blog/?p=685</link>
		<comments>http://www.cassetteculture.com/blog/?p=685#comments</comments>
		<pubDate>Thu, 15 Mar 2012 17:00:39 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[columns]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[craig]]></category>
		<category><![CDATA[mara]]></category>
		<category><![CDATA[millenium]]></category>
		<category><![CDATA[nyquist]]></category>
		<category><![CDATA[rapace]]></category>
		<category><![CDATA[the girl with the dragon tattoo]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=685</guid>
		<description><![CDATA[Disclaimer: There might be spoilers in this article, so if you have not read the books or seen the movies, please watch out what you read. I tried my best to avoid them. A lot of people seem to be on the fence about the American remake of Swedish-made Millenium: The Girl with the Dragon Tattoo, simply titled The Girl with the Dragon Tattoo, without the Millenium prefix. The latter is not even a remake of the movie, even though many people see it that way, but is David Fincher&#8217;s interpretation of the novel. Both directors took some creative freedoms with regards to how true to the novel they are in order to make the story more fit for the big screen. So which movie is better? Is one actually better than the other? Here are some thoughts on the matter. Having seen both Millenium and The Girl with the Dragon Tattoo (TGDT) in a relatively short amount of time (with a day in-between), I thought I would write something about this whole feud that exists between the two sides of fans. Fincher recently delivered a movie that could only be seen as something a bit short of a masterpiece when he made The Social Network, a movie [...]]]></description>
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		<item>
		<title>Blacklight Retribution &#8211; An Upcoming First Person Shooter</title>
		<link>http://www.cassetteculture.com/blog/?p=640</link>
		<comments>http://www.cassetteculture.com/blog/?p=640#comments</comments>
		<pubDate>Wed, 14 Mar 2012 17:00:47 +0000</pubDate>
		<dc:creator>Guest</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Games]]></category>
		<category><![CDATA[Black]]></category>
		<category><![CDATA[blacklight]]></category>
		<category><![CDATA[ctf]]></category>
		<category><![CDATA[dm]]></category>
		<category><![CDATA[dominion]]></category>
		<category><![CDATA[game]]></category>
		<category><![CDATA[hardsuit]]></category>
		<category><![CDATA[hrv]]></category>
		<category><![CDATA[koth]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[mode]]></category>
		<category><![CDATA[redemption]]></category>
		<category><![CDATA[retribution]]></category>
		<category><![CDATA[tdm]]></category>
		<category><![CDATA[tkoth]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=640</guid>
		<description><![CDATA[Blacklight: Retribution (BR) is a First-Person-Shooter (FPS) game with a currency-system. The graphics are stunning, especially when you crank them up, but you&#8217;ll need a powerful computer or you will suffer from performance loss. As of now, it is in the Open Beta-phase, meaning that it has not been officially released yet and anyone can play it for free during this phase. At release, it will still be  Free2Play (F2P). That basically means you play it for free but have the option of using Zen-currency, BR&#8217;s name for their virtual currency. You can purchase ZEN-currency with a button in the game-menu or you can head over to the official  webstore: Purchase ZEN here. You can pay using Credit Card, prepaid cards or by sending an SMS with your mobile phone. So, what&#8217;s so special about Blacklight compared to other FPS-games? HRV This is probably the most unique feature in the game and any other game in the FPS-genre since it has such an impact on the psyche of other players. But beware, you opponents can also use this feature! The HRV (Hyper Reality Visor) has such a strong impact in the game because it allows you to see through walls, see the enemies, your [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=640</wfw:commentRss>
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		<item>
		<title>Reaching Out &#8211; Step Aside</title>
		<link>http://www.cassetteculture.com/blog/?p=794</link>
		<comments>http://www.cassetteculture.com/blog/?p=794#comments</comments>
		<pubDate>Tue, 13 Mar 2012 09:00:34 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[hardcore]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[NYHC]]></category>
		<category><![CDATA[Reaching Out]]></category>
		<category><![CDATA[Step Aside]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=794</guid>
		<description><![CDATA[It is time to go back to the 80&#8242;s, at least according to Step Aside. Reaching Out, their latest release, takes us back to the original New York hardcore. Step Aside show some true talent on this release, mainly because they replicate the sounds of days long gone so well. Fast, tough and heavy, that is how Step Aside delivers. Reaching Out Artwork Step Aside considers Tucson, Arizona as their home base. Having started playing together during the summer of 2011, they have come pretty far in a short amount of time. Reaching Out was actually released on a small scale in December of last year, but is being repressed now because of popular demand and the fact that the original was released on tape cassettes. In just 10 short minutes, Step Aside delivers a solid piece of work and it is clear that they joined the music game so they can spread a message. Vocalist Josh Andrade&#8217;s lyrics are straight to the point and the band does not cover up anything musically. All of the songs seem to be about internal struggle, depression and, most of the time, they are a call for help. With Reaching Out, the band delivers a solid release. It sounds [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=794</wfw:commentRss>
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		<title>Give Me Infinity &#8211; Exit Ten</title>
		<link>http://www.cassetteculture.com/blog/?p=591</link>
		<comments>http://www.cassetteculture.com/blog/?p=591#comments</comments>
		<pubDate>Mon, 12 Mar 2012 15:00:24 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[exit ten]]></category>
		<category><![CDATA[give me infinity]]></category>
		<category><![CDATA[metalcore]]></category>
		<category><![CDATA[post-hardcore]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=591</guid>
		<description><![CDATA[Give Me Infinity, the extremely well-received second release by post-hardcore act Exit Ten, is finally getting its release in the Benelux area. This new album echoes the sound of their 2008 release, Remember the Day, and sounds extremely mature for what is arguably a young band. This band has the rare ability to blend harmonies and hardcore together, creating a fairly unique sound that is not truly definable, but is just thrown into the post-hardcore category simply because it fits there.  If you really do not know what to think of post-hardcore and do not want to dive in without seeing the bottom, Give Me Infinity could be your swimming instructor. Indie vocals are thrown over instrumentals which sound like they belong on anything from actual indie tracks to heavy metal and metalcore tracks. It is a strange blend, but Exit Ten make it work. Exit Ten really went 180 on this release. The thundering metalcore breakdowns and heavy riffs have been replaced by a more calm approach, an approach that shows that the guys have grown up and are ready to join the big boys. Album opener Life immediately opens up with a big sound, with melodies and harmonies that [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=591</wfw:commentRss>
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		<item>
		<title>Foundations &#8211; A Call to Sincerity</title>
		<link>http://www.cassetteculture.com/blog/?p=574</link>
		<comments>http://www.cassetteculture.com/blog/?p=574#comments</comments>
		<pubDate>Fri, 09 Mar 2012 12:30:43 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[a call to sincerity]]></category>
		<category><![CDATA[foundations]]></category>
		<category><![CDATA[metalcore]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=574</guid>
		<description><![CDATA[A Call To Sincerity is one of the more recent additions to the French metalcore scene, hailing from the city of Paris. Foundations is their debut full-length release and is an incredible step forward from their EP Acts, which was released at the end of 2010. This new release sounds tighter and more mature.  This five piece melodic metalcore band leaves nothing to our imagination, kicking of their full-length with the song Get Out Alive, an incredibly melodic piece with surprisingly heavy vocals, something that is usually not heard in a melodic hardcore/metalcore band. These vocals are what distinguishes A Call To Sincerity from other bands. After starting out solid, the album loses some of its value with Deceiver, At The Edge Of&#8230; and Our World, three tracks that sound good, but do not really stand out, and are nowhere near as good as Get Out Alive.  Thankfully, the band gathers their act together, with The Novelist regaining the level set by the first song on the album. With this track, the band throw back to some of their hardcore roots, unleashing some classic two-step on the listener. Setting the bar even higher with A Misunderstanding, A Call To Sincerity is [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=574</wfw:commentRss>
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		<title>TERA Online &#8211; An upcoming MMORPG</title>
		<link>http://www.cassetteculture.com/blog/?p=624</link>
		<comments>http://www.cassetteculture.com/blog/?p=624#comments</comments>
		<pubDate>Wed, 07 Mar 2012 18:00:56 +0000</pubDate>
		<dc:creator>Guest</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Games]]></category>
		<category><![CDATA[Arborea]]></category>
		<category><![CDATA[Closed Beta]]></category>
		<category><![CDATA[mmo]]></category>
		<category><![CDATA[Online]]></category>
		<category><![CDATA[rpg]]></category>
		<category><![CDATA[TERA]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=624</guid>
		<description><![CDATA[TERA, also known as The Exiled Realm of Arborea is a fantasy massively multiplayer online role-playing game (MMORPG), developed by blueholestudio (In Korea) and published by En Masse Entertainment (In the US) and Frogster Interactive for the European public. The game is scheduled to be released  on the 1st of May 2012 in the US and two days later in Europe. TERA was released in Korea on the 25th of January 2011. It features some  of the classic elements that you seen in any MMO released nowadays; questing, player-versus-player combat (PvP), player-versus-environment combat (PvE) and crafting. This is an MMO unlike any other. Right now, it is in the Closed Beta Test phase. Logging in and playing for the first time was a real treat. The graphics, sounds, animations and story are all amazing, the overall impression was fantastic! When you enter the game you are welcomed by the character creation. You do what you usually do, either choose a pre-made appearance of your in-game character, or you can choose to customize your digital likeness with various colours of skin, hair, eyes, beard, moustache and shape them the way you want; bigger ears, mouth, cheekbones etcetera, and, most important, you will be [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=624</wfw:commentRss>
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		<item>
		<title>Danger Zone &#8211; Losin&#8217; It</title>
		<link>http://www.cassetteculture.com/blog/?p=581</link>
		<comments>http://www.cassetteculture.com/blog/?p=581#comments</comments>
		<pubDate>Fri, 02 Mar 2012 17:00:20 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[danger zone]]></category>
		<category><![CDATA[hardcore]]></category>
		<category><![CDATA[losin it]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=581</guid>
		<description><![CDATA[Losin&#8217; It, a five-piece hardcore band from South Florida was formed in 2010 and has been working hard to establish themselves in the hardcore scene. Their debut EP, Danger Zone, is filled with old-school hardcore and throws the listener back to the days of Gorilla Biscuits and No Justice. Even their album cover, though a bit strange, screams out old-school.  Opening with title track Danger Zone, Losin&#8217; It immediately get to the feeling they want to spread. This is hardcore how it used to be, how it was once envisioned by bands such as Black Flag, Bad Brains and Minor Threat. Short and energetic, Danger Zone prepares the listener for what is to come. Fuck Off, as the title suggests, is an angry piece of music. Losin&#8217; It voices their hate against the hardcore youth of today, who have abandoned pretty much everything  that hardcore once stood for. Even though the track is filled with hate, it stands out  amongst the rest. This is the track that shows what Losin&#8217; It is all about. Glory Days is the shortest track on the album, clocking in at a little over a minute and starts of with a very crispy bass intro. This [...]]]></description>
		<wfw:commentRss>http://www.cassetteculture.com/blog/?feed=rss2&#038;p=581</wfw:commentRss>
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		<item>
		<title>Smalltown Nobodies</title>
		<link>http://www.cassetteculture.com/blog/?p=533</link>
		<comments>http://www.cassetteculture.com/blog/?p=533#comments</comments>
		<pubDate>Tue, 28 Feb 2012 19:00:15 +0000</pubDate>
		<dc:creator>Ruth</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=533</guid>
		<description><![CDATA[Every week there is news to be told about the Smalltown Nobodies, a melodic metal band from the Rotterdam Area in The Netherlands. This band is recording songs, recording music videos, rehearsing, writing and playing gigs. Not only the band as a whole works hard to spread their passion, also the individual band members are very active. Being active and sharing your passion as a musician is a key ingredient to get your songs &#8216;out there&#8217;. Ruud, Erwin, Edward, Ber, Lain and Donald not only work hard, they also manage to create a unique sound. The band restarted in 2008, but the Smalltown Nobodies is just one of the many musical adventures of these musicians. Ever since the come-back, Lain has been fronting The Smalltown Nobodies. One thing is for sure, he is quite somebody. Lain, you joined the band in 2008 after the band was on a sabbatical, what was it like to join this group? I knew the guys already for a long time, so that was no problem, but the style of music was a new thing for me and their first singer was totally different compared to me. Also I had to sing songs and lyrics [...]]]></description>
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		<item>
		<title>As Prayers Fail</title>
		<link>http://www.cassetteculture.com/blog/?p=540</link>
		<comments>http://www.cassetteculture.com/blog/?p=540#comments</comments>
		<pubDate>Sat, 11 Feb 2012 18:30:19 +0000</pubDate>
		<dc:creator>Ruth</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=540</guid>
		<description><![CDATA[As Prayers Fail (APF) is a young upcoming hardcore / metalcore band from the Rotterdam Area in the Netherlands. Since mid 2010 the band is working hard to write songs, rage shows and spread their music. Already in March 2011 they released their first EP, A Siren Called Jade. At this moment they are working on a full length. In the meantime they keep on posting new material. Recently they released a video for their new single Capsized Kings. Vincent, one of the band’s guitarists had a little chat with Cassette Culture. He joined the band in November 2010, after the roady of the band, a good friend of Vincent, asked him to audition for the band when APF needed a new guitar player. Why did you start making music? I personally started to play because it calms me in bad times. As for the band, the band originally was formed by friends who had the same taste of music and a history playing with each other. As the previous projects died out, As prayers fail was formed. What was it like to record your second music video? We had high expectations due to the fact our first video was shot, without [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Bigger &amp; Better: Winter X-Games 16</title>
		<link>http://www.cassetteculture.com/blog/?p=543</link>
		<comments>http://www.cassetteculture.com/blog/?p=543#comments</comments>
		<pubDate>Sat, 04 Feb 2012 21:30:16 +0000</pubDate>
		<dc:creator>Riki</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Sports]]></category>
		<category><![CDATA[Sarah Burke]]></category>
		<category><![CDATA[Shaun White]]></category>
		<category><![CDATA[Torstein Horgmo]]></category>
		<category><![CDATA[winter x-games]]></category>
		<category><![CDATA[X-Games]]></category>

		<guid isPermaLink="false">http://www.cassetteculture.com/blog/?p=543</guid>
		<description><![CDATA[The Winter X-Games dominated the town of Aspen, Colorado last week and the people there were witness to another series of record-breaking performances, just the way it has been every single year in X-Games history. But this year started off bitter for athletes and fans alike. Just days before the start of X-Games, Sarah Burke, the godmother of freestyle skiing and multiple Winter-X Games gold medallist, passed away after a fall in Park City, Utah. Every athlete came out to pay tribute to Burke, to land a trick in remembrance of her and to dedicate their wins to their fallen sister. Perfection Defined? The performance that will be remembered when talking about these X-Games in years to come will be the perfect 100 score that Shaun White scored in the Men&#8217;s Superpipe Final, being the first perfect 100 in X-Games history and also his fifth X-Games gold medal in a row. Every X-Games has been witness to a new trick landed by White, and this year was no different, with him unveiling his newest creation, a frontside double cork 1260. But straight after his gold-medal run, he already talked about how to go even bigger next year, so that he [...]]]></description>
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